Table of Contents 1.1

1. Corporeality, Discipline, Arche-Writing and the Body as a Language
2. The Semeiosis of a Fat Cell, The Intransigent Memories of a Fat Cell, The Fat Cell as Actor
3. Bloor Street: Wind, Concrete, and the Confluence of Emotional and Infrastructural 'Scapes'
4. First-Love-Entombed-Love: Desire's Dead End
5. Poetry as Monument, Monument as Poetry
6. The Basement Apartment and Verne's Safety of Enclosure
7. Encounters and Dialectics of Immediacy

[Possible avenues, working titles, too shleepy to continue]